Early Twentieth Century (1900-1945)

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  2. Albertine, Susan. A Living of Words: American Women in Print Culture. Knoxville: University of Tennessee Press, 1995.
  3. Ardis, Ann. New Women, New Novels: Feminism and Early Modernism. New Brunswick, NJ: Rutgers University Press, 1990.
  4. Ashbrook, Susan. “Two Portraits of Cape Cod: Amelia Watson and Clare Leighton.” Printing History (New Series) 8 (2010): 3–11.
  5. Badia, Janet, and Jennifer Phegley, eds. Reading Women: Literary Figures and Cultural Icons from the Victorian Age to the Present. Toronto; Buffalo: University of Toronto Press, 2005.
  6. Barlow, Marjorie. Notes on Women Printers in Colonial America and the United States, 1639-1975. Charlottesville: University Press of Virginia, 1976.
  7. Batsleer, Janet, Tony Davies, Rebecca O’Rourke, and Chris Weedon, eds. Rewriting English: Cultural Politics of Gender and Class. London; New York: Methuen, 1985.
  8. Beetham, Margaret. A Magazine of Her Own? Domesticity and Desire in the Woman’s Magazine, 1800-1914. London: Routledge, 1996.
  9. Bell, Susan Groag, and Marilyn Yalom, eds. Revealing Lives: Autobiography, Biography, and Gender. Albany: State University of New York Press, 1990.
  10. Benstock, Shari, ed. The Private Self: Theory and Practice of Women’s Autobiographical Writings. Chapel Hill: University of North Carolina Press, 1988.
  11. Bernstein, Susan David. Roomscape: Women Writers in the British Museum from George Eliot to Virginia Woolf. Edinburgh: Edinburgh University Press, 2013.
  12. Betz, Phyllis M. Lesbian Detective Fiction: Woman as Author, Subject, and Reader. Jefferson, NC: McFarland & Co., 2006.
  13. Bloom, Harold, ed. Women Writers of Children’s Literature. Philadelphia: Chelsea House, 1998.
  14. Bogardus, Janet. Some Bibliographical Notes about Women in Printing. New York: Parkway, 1937.
  15. Bookmaking on the Distaff Side. This Book Is the Product of the Writing, Designing, Typesetting and Printing of Women Printers. New York: Distaff Side, 1937.
  16. Brodski, Bella, and Celeste Schenk, eds. Life/Lines: Theorizing Women’s Autobiography. Ithaca: Cornell University Press, 1988.
  17. Brodsky, Judith K. “Some Notes on Women Printmakers.” Art Journal 35, no. 4 (1975): 374–77.
  18. Brownstein, Rachel M. Becoming a Heroine: Reading About Women in Novels. New York: Viking Press, 1982.
  19. Brożyna, Andrea Ebel. Labour, Love, and Prayer: Female Piety in Ulster Religious Literature, 1850-1914. Belfast; Montreal: Institute of Irish Studies, Queen’s University of Belfast; McGill-Queen’s University Press, 1999.
  20. Burr, Christina Ann. “Class and Gender in the Toronto Printing Trades, 1870-1914.” PhD Dissertation, Memorial University of Newfoundland, 1992.
  21. Butler, Roger. Sydney by Design: Wood and Linoblock Prints by Sydney Women Artists Between the Wars. Canberra: National Gallery of Australia, 1995.
  22. Cadman, Eileen, Gail Chester, and Agnes Pivot. Rolling Our Own: Women As Printers, Publishers and Distributors. London: Minority Press-Group, 1981.
  23. Caws, Mary Ann. “The Conception of Engendering: The Erotics of Editing.” In The Poetics of Gender, edited by Nancy K. Miller. New York: Columbia University Press, 1986.
  24. Chapman, Mary. Making Noise, Making News: Suffrage Print Culture and U.S. Modernism. Oxford: Oxford University Press, 2014.
  25. Club of Printing Women. Antique Modern & Swash: A Brief History of Women in Printing. New York: Club of Printing Women of New York, 1955.
  26. Cohn, Jan. Romance and the Erotics of Poetry: Mass-Market Fiction for Women. Durham, NC: Duke University Press, 1988.
  27. Colin, G. La Reliure Féminine et Les Arts Du Cuir En Belgique À La Belle Époque. Buxelles: Librairie Fl. Tulkens, 2004.
  28. Colt, Margaretta Barton. Martial Bliss: The Story of The Military Bookman, 2015.
  29. Corse, Sarah M., and Saundra Davis Westervelt. “The Awakening of a Canonical Novel.” Sociological Perspectives 45, no. 2 (Summer 2002): 139–61.
  30. Curtis, Tracy. New Media in Black Women’s Autobiography: Intrepid Embodiment and Narrative. New York: Palgrave Macmillan, 2015.
  31. Danahy, Michael. The Feminization of the Novel. Gainesville: University of Florida Press, 1991.
  32. Danky, James P., and Wayne A. Wiegand, eds. Women in Print: Essays on the Print Culture of American Women from the Nineteenth and Twentieth Centuries. Madison: University of Wisconsin Press, 2006.
  33. Davin, Eric Leif. Women and the Birth of Science Fiction, 1926-1965. Lanham, MD: Lexington Books, 2006.
  34. Demoor, Marysa. Their Fair Share: Women, Power and Criticism in the Athenaeum from Millicent Garrett Fawcett to Katherine Mansfield, 1870-1920. Aldershot: Ashgate, 2000.
  35. DiCenzo, Maria, Lucy Delap, and Leila Ryan. Feminist Media History: Suffrage, Periodicals and the Public Sphere. New York: Palgrave Macmillan, 2010.
  36. Dickie, Margaret, and Thomas Travisano, eds. Gendered Modernisms: American Women Poets and Their Readers. Philadelphia: University of Pennsylvania Press, 1996.
  37. Dixon, Jay. The Romance Fiction of Mills & Boon, 1909-1990s. London; Philadelphia: UCL Press, 1999.
  38. Easley, Alexis. Literary Celebrity, Gender, and Victorian Authorship, 1850-1914. Newark: Delaware University Press, 2011.
  39. Eddy, Jacalyn. Bookwomen: Creating an Empire in Children’s Book Publishing, 1919-1939. Madison: University of Wisconsin Press, 2006.
  40. Elizabeth Harvey-Lee (Firm). Mistresses of the Graphic Arts: Famous & Forgotten Women Printmakers c.1550-c.1950: A New Stock Catalogue, Autumn 1995. North Aston, Oxon.: Elizabeth Harvey-Lee, 1995.
  41. Flint, Kate. The Woman Reader, 1837-1914. Oxford: Clarendon Press; Oxford, 1993.
  42. Gardiner, Judith Kegan. “On Female Identity and Writing by Women.” Critical Inquiry 8, no. 2 (Winter 1981): 347–61.
  43. Garvey, Ellen. The Adman in the Parlor: Magazines and the Gendering of Consumer Culture, 1880s to 1910s. New York: Oxford University Press, 1996.
  44. Gere, Anne Ruggles. Intimate Practices: Literacy and Cultural Work in U.S. Women’s Clubs, 1880-1920. Urbana: University of Illinois Press, 1997.
  45. Gerson, Carole. Canadian Women in Print, 1750-1918. Waterloo: Wilfrid Laurier University Press, 2010.
  46. Gilbert, Sandra M., and Susan Gubar. The Madwoman in the Attic: The Woman Writer and the Nineteenth-Century Literary Imagination. New Haven: Yale University Press, 1979.
  47. Golden, Catherine. Images of the Woman Reader in Victorian British and American Fiction. Gainesville: University Press of Florida, 2003.
  48. Greetham, D.C. “Gender in the Text.” In Theories of the Text, 433–86. Oxford: Oxford University Press, 1999.
  49. Gwin, Minrose. The Woman in the Red Dress: Gender, Space, and Reading. Urbana: University of Illinois Press, 2002.
  50. Hanson, Clare. Hysterical Fictions: The “Woman’s Novel” in the Twentieth Century. New York: St. Martin’s Press, 2000.
  51. Harley, Jenn. Millions Like Us: British Women’s Fiction of the Second World War. London: Virago Press, 1997.
  52. Harley, Jenny. Millions Like Us: British Women’s Fiction of the Second World War. London: Virago Press, 1997.
  53. Harvey-Lee, Elizabeth. Mistresses of the Graphic Arts: Famous & Forgotten Women Printmakers c.1550-c.1950: A New Stock Catalogue, Autumn 1995. North Aston: Elizabeth Harley-Lee, 1995.
  54. Heilbrun, Carolyn G. Writing a Woman’s Life. New York: W. W. Norton, 1988.
  55. Heilmann, Ann. New Woman Fiction: Women Writing First-Wave Feminism. Basingstoke: Macmillan, 2000.
  56. ———. New Woman Strategies: Sarah Grand, Olive Schreiner, Mona Caird. Manchester: Manchester University Press, 2004.
  57. Hipsky, Martin. Modernism and the Women’s Popular Romance in Britain, 1885-1925. Athens: Ohio University Press, 2011.
  58. Humble, Nicola. The Feminine Middlebrow Novel, 1920s to 1950s: Class, Domesticity, and Bohemianism. Oxford; New York: Oxford University Press, 2001.
  59. Humphrey, Judith. The English Girls’ School Story: Subversion and Challenge in a Traditional, Conservative Literary Genre. Bethesda: Academica Press, 2009.
  60. Jack, Belinda Elizabeth. The Woman Reader. New Haven: Yale University Press, 2012.
  61. Kent, Henry Watson. St. Distaff’s Day: An Address, on the Occasion of a Dinner given by the Women Engaged in the Making of Books. White Plains, NY: Froben Press, 1938.
  62. Knight, Brenda. Women Who Love Books Too Much: Bibliophiles, Bluestockings & Prolific Pens from the Algonquin Hotel to the Ya-Ya Sisterhood. Berkeley: Conari Press, 2000.
  63. Lionnet, Françoise. Autobiographical Voices: Race, Gender, Self-Portraiture. Ithaca: Cornell University Press, 1989.
  64. Lovell, Terry. Consuming Fiction. New York: Verso, 1987.
  65. MacDonald, James Ramsay, ed. Women in the Printing Trades: A Sociology Study. London: P. S. King & Son, 1904.
  66. McHenry, Elizabeth. “Forgotten Readers: African-American Literary Societies and the American Scene.” In Print Culture in a Diverse America, edited by James P. Danky and Wayne A. Wiegand, 149–72. Urbana and Chicago: University of Illinois Press, 1998.
  67. McKay, Kirsten. Women Printmakers 1910 to 1940 in the Castlemaine Art Gallery and Historical Museum. Castlemaine: The Gallery and Museum, 1995.
  68. Meeker, Martin. Contacts Desired: Gay and Lesbian Communications and Community, 1940s-1970s. Chicago: University of Chicago Press, 2006.
  69. Meiner, Annamarie. “Die Frau Im Druckgewerbe.” Gutenberg-Jahrbuch, 1933, 333–34.
  70. MIlloy, Jean, and Rebecca O’Rourke. The Woman Reader: Learning and Teaching Women’s Writing. London; New York: Routledge, 1991.
  71. Miner, Madonne M. Insatiable Appetites: Twentieth-Century American Women’s Bestsellers. Westport, Conn.: Greenwood Press, 1984.
  72. Minksy, Richard. American Publishers’ Bindings on the Books of Amelia E. Barr 1882-1919. Exhibition Catalogue. Richard Minksy, 2016.
  73. Moers, Ellen. Literary Women: The Great Writers. New York: Oxford University Press, 1976.
  74. Moruzi, Kristine. Constructing Girlhood Through the Periodical Press, 1850-1915. Aldershot, Hants; Burlington, VT: Ashgate, 2012.
  75. Murray, Simone. “‘Deeds and Words’: The Woman’s Press and the Politics of Print.” Women: A Cultural Review 11, no. 3 (2000): 197–222.
  76. Nash, Ray. “Women in American Printing.” American Printer 88 (June 1929): 58–60.
  77. Pike, Lois. “A Selective History of Feminist Presses and Periodicals in English Canada.” In In the Feminine: Women and Words / Les Femmes Et Les Mots, edited by Ann Dybikowski, 209–18. Edmonton: Longspoon Press, 1983.
  78. Porte, Roy Trewin. In Three Years; A Story of a Woman and the Printers of Chiapolis, by R.T. Porte. Salt Lake City: Porte Publshing Co., 1927.
  79. Prather-Moses, Alice Irma. The International Dictionary of Women Workers in the Decorative Arts: A Historical Survey from the Distant Past to the Early Decades of the Twentieth Century. Scarecrow Press, 1981.
  80. Rainey, Lawrence Scott. “From the Fallen Woman to the Fallen Typist, 1908-1922.” English Literature in Transition 1880-1920 52, no. 3 (2009): 273–97.
  81. ———. “Pretty Typewriters, Melodramatic Modernity: Edna, Belle, and Estelle.” Modernism/Modernity 16, no. 1 (2009): 105–22.
  82. Raub, Patricia. Yesterday’s Stories: Popular Women’s Novels of the Twenties and Thirties. Westport, Conn.: Greenwood Press, 1994.
  83. Reynolds, Kimberley. Girls Only? Gender and Popular Children’s Fiction in Britain, 1880-1910. New York: Harvester Wheatsheaf, 1990.
  84. Reynolds, Sian. Britannica’s Typesetters: Women Compositors in Edwardian Edinburgh. Edinburgh: Edinburgh University Press, 1989.
  85. Schilpp, Madelon Golden, and Sharon M. Murphy. Great Women of the Press. Carbondale: Southerin Illinois University Press, 1983.
  86. Shattock, Joanne, ed. The Oxford Guide to British Women Writers. Oxford: Oxford University Press, 1993.
  87. Showalter, Elaine. A Literature of Their Own: British Women Novelists from Brontë to Lessing. Princeton: Princeton University Press, 1977.
  88. ———. “‘A Literature of Their Own’ Revisited.” Novel: A Forum on Fiction 31, no. 3 (Summer 1998): 399–413.
  89. Silver, Brenda. “Textual Criticism as Feminist Practice: Or, Who’s Afraid of Virginia Woolf Part II.” In Representing Modernist Texts: Editing as Interpretation, edited by George Bornstein, 193–222. Ann Arbor: University of Michigan Press, 1991.
  90. Stoneley, Peter. Consumerism and American Girls’ Literature, 1860-1940. Cambridge; New York: Cambridge University Press, 2003.
  91. Tarbox, Gwen Athene. The Clubwomen’s Daughters: Collectivist Impulses in Progressive-Era Girl’s Fiction, 1890-1940. New York: Garland Publishing, 2000.
  92. Tidcombe, Marianne. Women Bookbinders, 1880-1920. New Castle, DE: Oak Knoll Press; British Library, 1996.
  93. ———. “Women Bookbinders in Britain before the First World War.” In Proceedings: A Collection of Papers from the June 2000 Conference Celebrating the Installation and Opening of the Bernard C. Middleton Collection of Books on the History and Practice of Bookbinding. Rochester, NY: Melbert B. Cary, Jr. Graphics Arts Collection, Wallace Library, Rochester Institute of Technology, 2002.
  94. Van Gessel, Nina Henriette. “Re-Casting the Midwives of Modernism: Autobiographies of American Expatriate Women Publishers and Editors.” PhD Dissertation, McMaster University, 1996.
  95. Van Kleeck, Mary. Women in the Bookbinding Trade. New York: Russel Sage Foundation, 1913.
  96. Wadsworth, Sarah, and Wayne A. Wiegand. Right Here I See My Own Books: The Woman’s Building Library and the World’s Columbian Exposition. Series in Print Culture and the History of the Book. Amherst and Boston: University of Massachusetts Press, 2012.
  97. Watson, Martha, ed. A Voice of Their Own: The Woman Suffrage Press, 1840-1910. Tuscaloosa: University of Alabama Press, 1991.
  98. Wyatt, Jean. Reconstructing Desire: The Role of the Unconscious in Women’s Reading and Writing. Chapel Hill: University of North Carolina Press, 1990.
  99. Ziegler, Edda. Buchfrauen. Frauen in Der Geschichte Des Deutschen Buchhandels. Wallstein Verlag, 2014.